Sleight of Hand: Tricks for Success in the Writing-Life Balancing Act

November 10, 2009

This article first appeared in the September-October 2009 issue of The Penn Writer, a bi-monthly newsletter published by Pennwriters, Inc.

Observe, the writer’s magic wand: with one wave, you will be bestowed with days upon days of perfect, uninterrupted writing time.  All your other responsibilities will float away like mist from a lake, leaving you with clarity, vision, and creative depths.

Sound too good to be true?  That’s because it is: for writers, freelancers, artists, and other independent business people, there is no magic wand with which to clear the path of life and add hours to the clock.  Unless you write purely for pleasure on passing whims, you must face the challenge of balancing writing endeavors and the rest of life in order to succeed with your craft.

For some of us, “the rest of life” might include jobs, partners, families, and commitments to community, friends, or personal health.  Some writers experience a natural ebb and flow of creative inspiration.  Other writers might operate at 100% capacity most days, but are no less susceptible than the rest of us to the arrival of a big, heavy-duty monkey wrench thrown keenly into the center of our creative works.

If the challenge is a constant writing-life balancing act, then how do we tip the scales?  In lieu of a magic wand, would you accept a little prestidigitation?  As creative professionals, we have a unique opportunity to leverage our struggle for time and energy into strong, successful writing.

First, let’s consider ourselves (also known as a self-evaluation):

To start with, grab a journal (or a whiteboard, a new word processing document, or a big slice of butcher paper).  Take your time and carefully list what’s important in your life.  Be as specific as you want – the point is to get your brain thinking actively about your priorities, motivations, and goals.  Revisit this process whenever you’re feeling stuck or powerless.

Review your self-evaluation, and consider where the specifics you’ve listed fall into broad categories.  You’re likely to find a handful of items which are all equally mission-critical, while others are less essential.  Some things may seem less important (like the daily dishwashing duty), but unless you’re already independently wealthy and pay someone else to do your dirty dishes, that’s going to be a daily priority.

Now that you’ve considered the layout of your world, it’s time to get crafty.  Remember, you are a creative professional so you don’t need a magic wand for this part – just a little ingenuity, and a willingness to suspend your disbelief long enough to change your reality.

Our solution is neither a matter of exorcizing the unattainable, nor of sacrificing the precious.  Rather, the deceptively simple acts of compromise, integration, and acceptance are going to be the secret ingredients behind our writing-life formula for balance and growth:

balance_growth

At the August 2009 Pennwriters Presents, Guest Speaker Janice Gable Bashman was asked for a few words of wisdom culled during her author interviews.  Her reply includes the following as quoted from an interview in Wild River Review with author/journalist Bill Kent:

“[…] don’t see your writing as a special thing that you can do only when you’ve put the rest of your life on hold; see it as a thing you do regularly, with as little fanfare or expectations as possible.”

Kent goes on to explain that the integration of writing and life results in benefits to both.  Sure, that sentiment looks great in print, but how do we make it work in our lives?  If we strive for balance in order to grow as writers, we must regularly consider our priorities, our motivations, and our goals.  Kent’s methodology suggests that we embrace both life and art as one.

Just as in medicine, not all solutions are right for all people.  Some of us like schedules, some of us prefer to go with the flow.  Some of us live with families or friends, some of us live alone.  Listed below are five tipping points which can be used to adjust the balance of life and writing.  These are not mantras, incantations, or affirmations  (but if you like those, grab hold of Eric Maisel’s Affirmations for Artists, or just keep repeating: “I will make time for life.  I will make time to write.”)  These are simple, common sense methods for transforming dreams into realities.

Honoring Commitments: Communicate Your Needs

In her article “Those Aren’t Fighting Words, Dear” published this summer in The New York Times, writer Laura A. Munson discusses the challenges of love and partnership.  When her partner drops the bomb “I’m moving out,” Munson gets calm and creative.  Her response: “What can we do to give you the distance you need, without hurting the family?”

Whether it’s your partner, your colleagues, or your congregation, it’s up to you to communicate your needs so that the people in your life can help you.  To skip this step might result in tearing apart some of the relationships which keep you healthy, happy, and sane enough to be a good writer.

Hand-in-hand with this step is its corollary: “Here is where I will uphold my commitments to you [family, partner, team, etc.]”  Be prepared to offer as much as you ask: if you expect understanding from your friends and family, you must return this gift by setting aside some of your writing aspirations in order to support the people around you.

Working From Home: Close the Door

In his book On Writing, Stephen King tells us that we have to be prepared to close the door and write.  Unless you live alone, there’s more to this than just slamming the door shut.  If you still want a friendly face in your home, you need to communicate with your fellow residents so they understand why the door is closed – and when it’s scheduled to reopen.

This practice isn’t about shutting yourself off from the world, alone in your writer’s paradise.  It’s about creating a space – physical and mental – in which to create.  When you’re a home-based professional, it’s important to establish a known workspace wherein you can practice productive habits, and get the actual writing work done.

Getting Serious: Discipline Yourself

“Someday, when you’re older, you’ll think back and remember ‘gosh, now I know why Mr. Sage kept talking about self-discipline!’ ”

I heard those words regularly in my elementary school years when Mr. Sage, provoked by the careless or lazy efforts of his students, would descend into lengthy lectures on the virtues of self-discipline.  I couldn’t tell you everything he said, only that my memory involves the clock face, the image of Mr. Sage astride his stool, and the echoing phrases above.

As it turns out, Mr. Sage was right.  In my youth, I thought he was pedantic, condescending, and probably wrong.  In my adulthood, I can see how easy it is to skip this step, and how instrumental self-discipline can be in achieving my goals.  Take my friend and Co-Chair of the Pacific Northwest Pennwriters Chapter Anita Marie Moscoso as an example:

Moscoso works multiple jobs and supports kids, household, pups, and partner.  She’s politically active.  She’s always ready to lend a word of advice and insight to her fellow writers.  Moscoso also sets aside 4-5 hours every night to write.  The result: she churns out stories and is making significant progress on her first novel-length manuscript.  In short, she gets it done.

Getting Real: Accept Change

Go back to that list you created with all that’s important in your life.  Now take a look and consider: what’s not critical?  When you decide that you’re serious about writing, some things are going to be sacrificed for the greater good (good writing, that is).

Accept that some things in your life aren’t going to get done, or aren’t going to be completed at the time or to the degree of perfection you might have planned.  Accept that the ideal, uninterrupted writer’s paradise about which so many of us dream is an illusion.

The more you review and rewrite your master list, the more likely it is that you will discover some priorities that are not as important as you once thought.  Be prepared to adjust to the inevitable upheavals in your life.  Dr. Spencer Johnson’s Who Moved My Cheese? provides a clear, easy-to-read discussion on anticipating (and embracing) the one constant common to all of us: change.

Finding Peace of Mind: Embrace Your Experiences

In the autumn of 2008 I was invited for a short radio interview with Robert Krulwich of NPR to discuss Dr. Nalini Nadkarni’s newest book Between Earth and Sky: Our Intimate Connections to Trees, which I helped to produce.  At the time, I had just moved from Philadelphia to Seattle, only to find myself on the way to southern California to help care for a family member.  It seemed like my life had become the perfect storm in which all my writing goals would be funneled up from the earth and then dropped splat-flat.

While traveling through the gorgeous California redwoods via Carmel en route to Santa Barbara, I spoke with Krulwich by phone to make arrangements.  I had searched frantically online using Wi-Fi access to find a recording studio along the way where I could complete the interview.  Krulwich solved my problem with a simple statement: “You’re traveling through the redwoods, and Carmel is beautiful!  You should enjoy all that, and I’ll find us a studio in Santa Barbara.  We’ll talk when you arrive.”

It makes perfect sense: we can’t rush past the pleasures of life, nor can we skip the rough roads.  As Bill Kent reminds us, putting life on hold in exchange for writing is a non-option.  It is our experience which provides the personal resources we need in order to create.  In Ann Charters’ The Story and Its Writer: An Introduction to Short Fiction, we are told that Stephen Crane “believe[d] – as did Ernest Hemingway after him – that ‘the nearer a writer gets to life, the greater he becomes as an artist.’ ”  Every task, event, chore, and chance meeting can be a resource for your writing.  Don’t waste a single experience.

These are just a few ideas for learning to accept, integrate, and compromise in order to achieve the writing-life balance.  When considered in the context of our secret formula (priorities, motivations, and goals), we create opportunities for growth as writers and people.

I cannot guarantee that these methods will solve all your problems, but I believe that attempting them might lead you to the solution that is right for you.  At the very least, these tricks may distract you for a while, and sometimes that’s all we need – a distraction to take our eye off the pea so that the shell game of life can reformulate into new possibilities.


Ash Krafton: Secret Book Spy

October 15, 2009

Author and fellow Pennwriters member Ash Krafton is sharing a fun two-part series of articles that discuss the process of evolution from novel-writer to novel-author.  Join us at the Pennwriters Area 6 blog for parts 1 & 2:

Part 1: From Writer to Author: How I Became a Secret Book Spy


Inspiration from Louise Erdrich

September 16, 2009

My summer reading has included several novels by Louise Erdrich, one of the great contemporary storytellers, and an inspiration for me as an evolving writer.

Here is an interview with Amy Goodman of Democracy Now! and Louise Erdrich.  Take a moment to hear Erdrich speak about the origins, motivations, and methods of her writing.


Philadelphia Writers Make Room to Run Wild

August 1, 2009

August 1, 2009

For immediate release
1 August 2009
Contact: Lisa Kastner, Founder
lisa[at]runningwildwriters[dot]org
www.runningwildwriters.org
 
Philadelphia Writers Make Room to Run Wild
 
Running Wild Writers, LLC  debuts as Philadelphia’s newest writers’ community with its first Fiction Workshop beginning September 2009.  Founded by Philadelphia-based writer Lisa Diane Kastner, Running Wild provides a venue for writers of all forms and all genres to learn and succeed in the craft.  Kastner is a fiction writer, former correspondent for the Philadelphia Theater Review, freelance journalist for the Delaware County Times, Features Editor for the Picolata Review, and President of Pennwriters, Inc., a 501(c)(3) nonprofit writers’ organization.
 
“In my years with the creative writing community, I have repeatedly been asked to provide writers a venue to more thoroughly explore the craft of writing.  Running Wild Writers is the answer to that request.”
 
The inaugural Fiction Workshop will begin September 24 and will run once a week for ten weeks through December 2009. Attendees will have two opportunities to submit up to 5,000 words of original material to be reviewed by participants and to receive a detailed assessment from Kastner.
 
“What makes Running Wild Writers unique is that we believe all forms and genres are valuable. Most workshops specialize in a specific genre such as literary, thriller, mystery, romance and so forth. At Running Wild, we believe that writers can learn and grow by reading and writing across genres,” said Kastner.   “The same is true for form.  Writers need to experiment in creative non-fiction, poetry, and fiction writing to hone their skills and discover who they are as writers.”
 
Workshop Details

Running Wild Writers Community will hold a 10-week Fiction Writers Workshop  from September 24 – December 3, 2009. The group will meet on Thursdays at 7 PM.
 
Participants will have the opportunity to workshop two pieces, maximum of 5,000 words each, during the sessions.  Each work will be given thorough written feedback by the instructor as well as feedback from fellow attendees.  In addition, the instructor will select elements of the craft to discuss during the sessions.  Craft discussions will be based on the pieces workshopped that evening.  Workshops will be held at 1241 Carpenter St., Philadelphia, PA 19147, in the heart of a thriving Philadelphia arts community.
 
Lisa’s Bio
 
Lisa Diane Kastner, fiction writer, creative non-fiction explorer, and former journalist writes fiction from Philadelphia and draws inspiration from her local experience. Kastner promises that her flaming red head tendencies will neither detract nor overly add to the commentary. If anything, it will bring a bit of flavor, like cinnamon.
 
A former correspondent for the Philadelphia Theatre Review and Features Editor for the Picolata Review, Kastner currently writes freelance and by invitation in literature and the arts. Her literary interviews include Charles Baxter (Academy of Arts and Letters Award in Literature 1997) and Lee Martin (Pulitzer Prize Nominee 2006).
 
Kastner is the Founder of Running Wild Writers Community, LLC and President of Pennwriters, Inc. (www.pennwriters.com) , a 501(c)(3) organization dedicated to assisting the novice to the award winning and multipublished writers to learn and succeed in the craft. She is the founder of the Pennwriters King of Prussia and Philadelphia Critique Groups, and can be found throughout the region leading workshops on business communications, and occasionally performing on the local stage with theater companies such as CelebrationTheater.  Her short stories have been published in 63 Channels Journal and The StraightJackets Magazine.
 
For more information go to www.runningwildwriters.org or contact Kastner via email at lisa[at]runningwildwriters[dot]org.

 

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Show and Tell Friday

February 13, 2009

 Awning Icicles, © Copyright 2009 Jade Leone Blackwater

Welcome back to Show and Tell Friday!  I am slowly easing into my blogging routines, which means a return to our regular features here at Brainripples.

 

Hotel on the Corner of Bitter and Sweet, © Copyright 2009 Jamie FordToday we’re talking about writers, and to kick off I’d like to share Jamie Ford’s debut novel, Hotel on the Corner of Bitter and Sweet which was released just two short weeks ago by Ballantine Books.  I finished reading Hotel today, and have long anticipated the arrival of this book since reading its predecessor “I Am Chinese”, a short story which was first published by the Picolata Review in 2006.

In Hotel on the Corner of Bitter and Sweet Ford artfully educates his readers on our not-too-distant past of WWII by telling us an accessible story about the love and friendship of two young Americans from Seattle, Washington. 

I’ll give you a full review another day.  Until then, there’s no reason not to hop on the bus and head to Seattle to pick up your own copy and meet Jamie Ford in person.  To see the rest of the stops on his nationwide booktour, visit JamieFord.com.

 

Now I’d like to point you to up-and-coming author and fellow Pennwriters member Ash Krafton.  Last year Krafton’s urban fantasy novel Bleeding Hearts won first prize for science fiction/fantasy novel and overall grand prize in the Maryland Writers Association 2008 Novel Contest.  She is currently marketing the Bleeding Hearts manuscript for publication.

Krafton just started the new Kraftmatic Adjustable Blog.  Be sure to check out her photo tour of Edgar Allen Poe.  I am embarrassed to admit that my announcement here is a bit late to encourage you to participate in the “Quoth the Raven” Poe Exhibition at The Free Library of Philadelphia, which finished today (February 13, 2009).

Also, check out Krafton’s short story Boots on a Branch, included in The Festival of the Trees 28, which celebrates the pursuit of inspiration, entertainment, and life-long youth.  Her poem Line will appear in the May 2009 issue of Numinous: Spiritual Poetry journal.

 

Next, I’d like to introduce writer Persephone Vandegrift whose work I first encountered while serving as Poetry Judge at Notes & Grace Notes.  Vandegrift writes beautiful poetry and fiction, and is a regular participant and multiple winner at Notes & Grace Notes, which is a new online writing community created by Harmoni McGlothlin.  Be sure to read Vandegrift’s winning poem Adam Paints a Picture; while you’re there take plenty of time to explore the other great writers sharing at Notes & Grace Notes.

 

Fellow Seattle-area writer Anita Marie Moscoso is still twisting our imaginations with her tales of the macabre at her Owl Creek Bridge.  Moscoso has been generous enough to invite me to share my darker shades of poetry at the Owl Creek Bridge, which most recently includes my poem Dehiscent.  In turn I invite you to join us there to read poetry and stories (such as my current favorite, “Typical Trixie“), and to explore Anita Marie Mosocoso’s hand-picked links to a wealth of writers, artists, and creative resources, which are certain to fire your inspiration.

 

My newest blog discovery is Mattie’s Pillow.  In fact, it is the author Cindy who happened upon the Brainripples blog and reached out to introduce herself.  Mattie’s Pillow shares a common interest in writing, art, and creativity, and includes extra inspiration from dreams, gardens, and horses, among other things.  Check out her Poetry Challenge 6 - my biggest challenge with this is, with which dream would I like to play today?


The Monongahela Review, Issue 3, © Copyright 2009Finally, as you can see from my previous post I’ve recently had two poems published at The Monongahela Review, an independent literary journal edited by Luke Bartolomeo.  Issue 3 of The Monongahela Review includes a beautiful selection of poetry, fiction, and visual art, so be sure to set aside a little time to wander and enjoy.

 

I’ll stop for now and save more for the next Show and Tell.  Feel welcome to share your latest goals, discoveries, or accomplishments, and have a wonderful weekend!

 

 


Jade Blackwater’s Poetry in The Monongahela Review

February 9, 2009

monrev_iss3I am pleased to announce that two of my poems have been included in Issue 3 of The Monongahela Review, an independent literary journal edited by Luke Bartolomeo.  Both poems were written while I lived in a small cottage on a farm in Pennsylvania.

To read current and past issues of The Monongahela Review, please visit their website, or peruse their pages at Issuu publications.  As excited as I am to share my own writing, I encourage you to take the time to read the other fine works included in this issue.  Let your fellow writers inspire your work!

Submissions are now open for Issue 4 of The Monongahela ReviewSubmission guidelines are available at their website.